WRITING QUOTES XXV

quotations about writing

Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

Tags: Ursula K. Le Guin


An author in his book must be like God in the universe, present everywhere and visible nowhere.

GUSTAVE FLAUBERT

letter to Madame Louise Colet, December 9, 1852

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Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure.

J. D. SALINGER

attributed, Salinger: A Biography


What you're trying to do when you write is to crowd the reader out of his own space and occupy it with yours, in a good cause. You're trying to take over his sensibility and deliver an experience that moves from mere information.

ROBERT STONE

The Paris Review, winter 1985

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I think a writer's job is to provoke questions. I like to think that if someone's read a book of mine, they've had--I don't know what--the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That's what I think writers are for. This is what our function is.

DORIS LESSING

The Paris Review, spring 1988


Go to any lengths to avoid preachiness! If you have to choose between the message and the story, always choose the story.

ELIZABETH ZELVIN

interview, The Fix

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Someone watches over us when we write. Mother. Teacher. Shakespeare. God.

MARTIN AMIS

London Fields

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Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.

JEAN COCTEAU

Diary of an Unknown

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The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.

RAY BRADBURY

Fahrenheit 451


The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length.

WILLIAM GIBSON

Twitter post, May 31, 2009

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Nowadays three witty turns of phrase and a lie make a writer.

GEORG CHRISTOPH LICHTENBERG

"Notebook D", Aphorisms

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Now, writing every day, and being paid for it and encouraged to do it, it was as if, in the midst of the clichéd dark and stormy night, I found the magical inn, its windows golden lit, and Summer was due to start tomorrow. I can only work at one thing well. Deprive me of that, and my "back-up plan," even now, will be the empty, stormy, darkened heath -- where, incidentally, even unpublished, somehow I'll still be writing.

TANITH LEE

interview, Intergalactic Medicine Show

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Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.

FLANNERY O'CONNOR

attributed, The Book of Poisonous Quotes

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Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy ... it takes a mean author to write a good story.

GAIL CARSON LEVINE

Writing Magic

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First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.

OCTAVIA E. BUTLER

"Furor Scribendi", Bloodchild and Other Stories


You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success -- but only if you persist.

ISAAC ASIMOV

attributed, How to Become a Famous Writer Before You're Dead

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I didn't do anything as active as deciding that I wanted to be a writer. For one thing, I didn't feel like I was the final authority on whether or not I was anything like a writer. (I'm a timid soul.) I just kept writing stories, because becoming a veterinarian seemed as if it involved too much dissection.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

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What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.

VIRGINIA WOOLF

"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf

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In the past, the virtue of women's writing often lay in its divine spontaneity ... But it was also, and much more often, chattering and garrulous ... In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.

VIRGINIA WOOLF

"Women and Fiction", Granite and Rainbow


There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?

JOHN JEREMIAH SULLIVAN

"Everything is more complicated than you think", The Economist, November 14, 2011

Tags: John Jeremiah Sullivan